Thursday, February 3, 2011

Some cool stuff coming out of the MIT Media Lab

So I was looking at the MIT Media Lab website (yet again) to read up on what´s going on at the Camera Culture research group (because if I want to apply in the near future, I figure I should know and understand all the details about what is being done there) and I came across a few press releases about what is being developed at the lab and thought that I´d post the links here because they´re actually pretty cool stuff:

(1) Albeit (as the article points out) somewhat useless considering the widespread accessibility to weather forecasts in a computer or pda or iphone or whatever, a toothbrush that tells you what the weather is going to be like today is sort of creative and awesome (especially since it will tell you what the weather is by dispensing different flavors of toothpaste. i.e. if you get mint, it will be colder than yesterday).

(29) Holographic displays! If I go to the Media Lab, I would probably want to be working on this sort of technology. Maybe helping to develop holographic film cameras? That experience would be pretty amazing! Anyways, the Star Wars geek in me wholeheartedly approves trying to reproduce Princess Leia´s hologram (in R2D2) as a demonstration for the currently available technology.

Darth Vader wants you to buy a VW Passat

Love this advertisement! Quite adorable! AND AWESOME.
Darth Vader is, indisputably, the best villain of all time. :)
Yes. I'm a Star Wars geek.

Sunday, January 30, 2011

Restaurant Review #1: La Bricola

So I realized that I sort of do a few restaurant reviews here and while I usually do some big compiliations or lists of restaurants I eat at while I travel, I also want to make a sort of Restaurant Review of restaurants I just want to comment on so I started this new kind of post. So here's the first post!

Restaurant Name: La Bricola
Location: Vía Láctea, Cumbayá, Quito, Ecuador
Kind of Food: Italian
Price Range: $15-$20 per person

What I ordered: Eggplant Parmesan (Appetizer), Scallops in garlic sauce (Appetizer), Gnocchi Napoleteana (Main Course), Verdiccio (white wine).

Comments: My parents and I wandered into this place on a Saturday afternoon at around 2:15-ish hoping to catch a late lunch and having avoided the main weekend rush. No such luck. The place was still pretty full. We had to wait around for 10-15 minutes to get a table for 3 though so it wasn't that bad. Once we were seated, the service was pretty good. Better than in most places, in fact. Our waiter was friendly and attentive. Although I will say that he got our orders mixed up twice (not that he brought us the wrong thing, he just had to pause and ask what each of us had ordered - a no-no if you're an experienced waiter, excusable if you're new to the job*) but that was ok. The eggplant parm was really really good and so were the scallops. The main courses were too big though (at least for me). I took half of my gnocchi home. The wine was good too. The only complaint I might have about this otherwise pretty solid establishment is the fact that I think they over-garlic things a bit. Or maybe we just ordered too many things with lots of garlic...They seem like a family-friendly place in general with a playground outside and a straightforward and uncomplicated menu that offers something for everyone (from cheese pizza for picky kids to more gourmet-italian dishes like salmon carpaccio for picky adults). Overall, a good experience I think - and the best Italian food I've had in Quito.



*I've worked as a waitress at a gourmet restaurant before, so I know what the job demands, how hard it is, and what is expected of you. I'm usually not too hard on the wait staff when reviewing a restaurant if they did their job, but there are some things that are a real big no-no. Like forgetting who ordered what in a table for 3 (I can understand if you have a party of 8 or something).

Luna being cute






Just some pix of Luna being really cute (or lazy).

HSK? Grad School?

I've been hit with a bunch of suggestions to look into grad school/applying for grants lately and I've begun to do some research about it. Not that I am going to apply to grad school or a Fulbright or anything like that anytime soon, but I guess it is a good thing to know all the options available to one. So far, I've managed to figure out a few things:

(1) I should probably take the HSK (Hanyu Shuiping Kaoshi or 汉语水平考试) at some point. Seems like a good thing to have and more proof that I can, in fact, speak Mandarin Chinese. I want to be able to take the Advanced test and I think that with some serious study I could probably do that. Although I just looked at the Basic test instructions (for elementary level Chinese) and I was like - okay, maybe I should actually PRACTICE my Chinese before I get into this ordeal. Well, to be fair, I will be having a few one-on-one speaking sessions with a teacher at the newly inaugurated Confucius Institute at the university where my parents work at (I've become really good friends with the head of the Institute - he's also my Tai Chi (or to call it by its correct name taijichuan - 太极拳) teacher). Also, I'm going to China in March. I'm hoping that being in the Mainland for 3 weeks will help me remember most of my 4 years of Chinese study. Probably will. On that same subject, I've apparently been unofficially invited to do a small series of lectures on Chinese National Cinema which I'm really excited about because it is one of the central focal points in my ongoing film goals and themes (most scripts I write have a sort of heavy influence from China's 5th-generation filmmakers and contemporary Hong Kong Cinema).

(2) I'm not sure if I want to go to grad school for filmmaking. Part of me thinks it is a big waste of time and money - mostly because I get the feeling that anything you learn in grad school for Film Production can be learned by being on set. Also, I've heard varying reports that suggest that Film Production grad schools will box you in too much - about how the creative process goes. I feel that filmmaking, like any other art, does require technique and technical knowledge, but at the end of the day, has a creative flow that no rules can really govern. Most stories are written without paying much heed to storytelling rules - in fact, they tend to go on to define those rules themselves without meaning to. Then there's also the fact that those film production grad schools are notoriously hard to get in to and give you next to no money. My feeling is that if you're going to spend $100,000 ($50,000 per year) on a program that will teach you something that you could learn while getting paid on a set, you might as well take that money and make a movie with it yourself. It would be an extremely low-budget film, but it is definitely doable considering today's technology and filmmaker resourcefulness. And trust me, a lot of filmmaking is about resourcefulness. I think that when I go to grad school I want to do something other than film production. Right now the program that has really caught my eye is MIT's Media Lab research programs. They're doing one called "Camera Culture" which is dedicated to creating the next generation of cameras to be used for film production that could give you a better image, greater mobility, and aid in the development of a more interactive filmmaking and moviegoing experience. There's another one about the Opera of the Future or something like that that experiments with new kinds of music and concertgoing experiences. What I like about the program is that it can be partnered with an Entrepreneurship program so that you come out being both business and tech-savvy at the end. It is a little bit more of a sciency way to go, but I think I will definitely eventually apply to it. I also have looked into Columbia's MFA in Screenwriting/Directing, and the Beijing Film Academy's MA in Fiction Film Directing or Cinematography. The BFA's program is particularly interesting because I think it might allow me to explore different perspectives and themes than the other western programs would. Also it's cheaper, shorter, and I think there are a few grants I can apply to in order to cover the costs. BUT it is also in Beijing....and while I do love China, living in Qingdao for 3 months 3 years ago was really really hard on me. Might be a different situation though...

All of this, of course, comes from the fact that I'm actually currently in the process of completing my application for a Grant for Language Study Abroad (I want to study Dutch in The Netherlands). It is due on Tuesday, but I want to get it in today. I don't know what my chances are, but it would be a good option to have if it comes through. Yay!

Friday, January 28, 2011

Walking far from Home

Some lovely lyrics from Iron and Wine's new song "Walking Far from Home":

I was walking far from home
But I carried your letters all the while
I saw lovers in a window
Whisper, "Want me like time, want me like time"

The new Iron and Wine album is awesome by the way. My favorites are "Walking Far from Home" and "Monkeys Uptown".

Thursday, January 27, 2011

The Traffic Cone (aka Officer Cone Down)

So I was over at Manta, Ecuador this Monday helping my aunt (who runs a tourism operator here) with this big cruise ship operation. The job is not bad. You get paid a flat rate for the whole day (which is pretty steep by Ecuadorian standards) and have all of your food and travel expenses paid. The hours sort of suck though. And so do the uniforms. Which is how I ended up iron-clad in khaki from head to toe (big, baggy khaki shorts and a big, baggy khaki polo) that was only made worse by the fact that they made us wear bright orange vests with reflector stripes and a hard hat. We looked like awkward, sleepy traffic cones at 7 am as we walked onto the docks. Apparently it is a dock safety measure in case something like a container full of Tuna is dropped on your head. Granted, having a hard hat might give you a higher survival rate...but really, it is a container full of tuna.
Traffic cones are a sore subject for me anyways because there's the traffic cone story.
It goes like this:
My dad and I went to pick up an airline ticket at the airline office. Now, the airline office is near the airport, which is smack in the middle of the city (highly impractical) and so there's a lot of traffic and NO place to park. I was driving the family Land Rover and my dad told me to parallel park next to the sidewalk in front of the airline office while he ducked in for a minute to see if we could pick up the ticket there. There were a few traffic cones lined up next to the sidewalk. Normally, this would mean that you can't park there. But the cones were really spaced apart, as in, they looked like they were marking parking spots more than anything. And I asked my dad before parking and he said I should. So he ducks in, and comes back out a minute later and says we need to pick it up elsewhere. So I pull out of the space and get back into traffic. I hadn't really advanced more than a few meters when I got stuck behind a red light. I looked through my rearview mirror and saw a police officer frantically waving his hands and jumping up and down, signaling me to pull over.
I'm kinda nervous at this point because I'm like: What did I do wrong???? I just pulled out of a parking space?
I obey the police's request and pull over. And that's when it begins.
I roll down the window, he comes up and asks me for my license and registration. I calmly hand it over to him. He checks them and scowls.
I had a feeling he was trying to catch me on a driving without a license thing. I'm 22 (and was 20 at the time) but look like I'm about 15 and police officers here sometimes target young female drivers since they have this dumb misconception that we're worse drivers. Anyways, I ask him what happened and then instead of answering, he walks off with my license and taps on the passenger seat window where my dad is sitting. Dad rolls the window down and the officer says
"You want to get off and see what your little girl did?"
And that's what ticks me off. At this point I'm feeling angry and afraid (I'm sitting there, scared shitless). I ask the officer to tell me what happened. Again he ignores me, so my dad gets off and follows the officer. I watch through the rearview mirror as the officer is pointing angrily at something in the floor and my dad is trying really really hard not to laugh.
At this point, I'm just terrified and confused. Did I run someone over? But why is my dad laughing?
They come back to the front. The police officer shows up by my window and is like "Well, looks like I'll have to dock 7 points from your license".
And all I can say is "Points? Since when does my license have POINTS?"
The police officer says, "It is your job to keep track of the legal system concerning driving laws. A license has 12 points and you get points taken off for several offenses."
And I say, "Well, what did I do that deserves to get my license have 7 points docked from it???"
And he says, "3rd-class traffic offense."
I say, "Meaning?"
My dad, half-laughing, chimes in. "You knocked down a traffic cone".
I just stare at the police officer flabbergasted. "Did I break the cone?"
He says, "No. The cone is fine. But that's a 3rd-class offense."
I say, "But SEVEN points? For KNOCKING it DOWN?"
He says, "Yes. It is blatant disregard of a traffic signal and aggression against a traffic officer." (In fact, knocking down that cone was the equivalent of running a police officer over with the car)
Me: "But it is a cone. And it is fine."
Police: "Miss, if you insist on arguing the subject further, I will confiscate your license as you are obviously a very dangerous driver."
At this point, I'm close to tears - of anger and fear. My dad steps in, takes the officer aside and reasons with him.
A few minutes later, the officer gives me back the license and lets me off with a warning.
I go back into traffic. I get stuck at the red light again.
As I'm stuck there, I see three cars ahead of me run the red light.
Really?
What the hell Quito Police Force?
You stop me to dock 7 points from my license for accidentally knocking down a traffic cone that was really hard to see, right next to the curb, and whose purpose was not clear and you have the audacity to call me an unsafe driver, and yet you let 3 other cars RUN A RED LIGHT???
Wtf?
Anyways, my dad teases me a lot about that episode. Whenever we pass a traffic cone while I'm driving, he'll point at it and shout "Officer Cone down!" as I grumble under my breath.